Posted on 23 May 2011.
Politics cannot be far absent from a father and son meeting in a military cemetery in Israel. But those who go to Doug Watkinson’s new play ‘The Wall’, at the New End Theatre, expecting only Middle East politics, may be disappointed.
The central issue of this often moving play is the father – son relationship, and its absence, caused by death in war.
David, a middle aged man coming to Jerusalem for a veterinary conference, decides to visit his father’s grave: killed in British Mandate Palestine in 1947 by members of the Stern Gang. On finding the grave, he breaks down in sobs: enter his father, Ralph, a young and chirpy soldier. Middle-aged son gets over the surprise apparition and attempts to fill in the missing years.
Parallel to this runs the story of Israeli land expansion: the war cemetery is beautifully tended by Palestinian Mahmoud, an old man now in his eighties, but whose life is made increasingly impossible by the Separation Wall. Ralph begs his son to campaign to have the Wall taken down. Initially reluctant, David then experiences for himself the checkpoints, delays and ritual humiliation Mahmoud must endure and comes up with a good activist plan.
If the storyline is somewhat uneasy, the dialogue is swift, often humorous and mostly convincing. The wars of Iraq and Afghanistan hover in the background: the muddle made by untimely death, the difficulties of living with a missing generation (‘’I had no-one to follow’’ ) the myths of heroism are all examined.
But there is a second dynamic which every visitor to Palestine will recognise. David at first is uneasy with his father’s anger. But when he visits Mahmoud’s home, and experiences for himself the realities of occupation, he changes instantly. Challenged by his father in the first scene to feel ‘outrage,’ in the second scene he boils with fury, and is with difficulty prevented from assaulting a female Israeli soldier. (The play follows the useful Greek convention of all violence being reported rather than seen)
The resolution and much of the interest lies in David’s personal journey: the play arose from the author’s same experience of being overcome with grief in the Commonwealth War Cemetery in Ramleh . The political issues are raised, but wisely left unanswered.
Good performances from Eric Carte as David, and Duncan- Clyde Watkinson as Ralph, and an imaginative set design. The tree stumps which represent the gravestones, both recall the Homeric imagery of young heroes cut down, and will remind anyone familiar with the Holy Land of amputated olive trees.
Worth seeing, and you can get an excellent pre-theatre supper down the road at the Old White Bear.
Sally Fitzharris
The Wall: New End Theatre, 27 New End, Hampstead, NW3 1JD, showing until 6 June.
Tuesday – Saturday 8.30 pm Saturday and Sunday 4.45 pm
Tickets £16 (concs £14)
Telephone: 0870 033 2733
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